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How my Mexican roots shape some of my textile designs in the early years of my career.

Updated: Oct 10, 2024


Have you ever wondered what gives a piece of textile design its unique flair? For me, it was all about the fusion of my studies in textile design with my Mexican heritage. I was deeply influenced by my roots when I first did my studies. I knew that my Mexican influence would play a significant role in shaping my creative vision in those days. In my designs, you will see some of the geometry of the Aztec patterns.





These designs, created many many years ago and found in my archives, gave me inspiration and influenced my use of colour, that is captured on the fabric today. The result is seen through some of my creativity, capturing the love for my roots.




As I grew older, my artistic style evolved, reflecting the twists and turns of my own journey and took me to learn different techniques, like Oil Painting, Pastel and finally Watercolour. Since I learned to paint in Watercolours, I have found a love for nature. With it my style has evolved and my passion for nature has led me to create what is now my style.





And today, art has transcended being just a passion-it has become a purpose, a guiding force that shapes my aspirations and fuels my creativity. Art is a constant presence, reminding me of the beauty that lies in self-expression and the power of imagination. It is a journey that began with a simple brush in hand, influenced by ancient civilisations and has since blossomed into a lifelong love affair with creativity.






A Journey of Grace and Colour: My Silk Painting Experience.


I first discovered the art of hand painting silk in 2015, I was immediately captivated by the combination of delicacy and vibrancy this technique offered. Unlike other forms of painting, there is something magical about the way colours flow on the silk, creating a soft, luminous effect that felt alive. The idea of bringing this ancient, luxurious craft into my own creative practice felt both exciting and daunting, but I was determined to take the challenge.





I leaned that the hand silk painting was as delicate and unpredictable as the fabric itself.

My first attempts were far from perfect, controlling the flow of dyes on such a smooth, fluid surface was difficult and I struggled to maintain precision. The silk absorbed colour in ways that were something unexpected and magical, creating beautiful accidents but also frustrating moments.





As I progressed, I started to see the beauty and the unpredictability of the silk painting. I learned to embrace the fluidity of the dyes and the way they naturally blended and flowed across the fabric. With practice, I gained a deeper understanding of how silk interacts with dye. Every piece of silk became a canvas where I could experiment with light, texture and depth. The mistakes that once frustrated me became opportunities to discover new way of expressing myself and I grew more confident in handling it.





Through hand silk painting, I have learned not just about the technical aspects of the art, but also about myself. The process demanded patience and attention to detail, but also a willingness to let go and accept imperfection.


This journey into hand silk painting has been one of grace, challenge and immense personal growth. After this journey of hand silk painting, I know it is not truly over. Whilst I am proud to have sold my silk scarves in many Countries across the World, there is always more to learn.



The similarity between Hand Silk Painting and Watercolours.


One of the most striking similarities between hand silk painting and watercolour, is the way both techniques embrace fluid. In watercolour, pigments mix and spread with water on paper, creating soft edges, natural blends and unexpected transitions. In hand silk painting, dyes flow across the fabric in a way that feels almost alive, blending seamlessly on the delicate surface of silk. Both watercolour and hand silk painting rely on the concept of transparency and require a delicate balance between precision and flexibility. They also allow for moments of spontaneity, freedom and patience.





Both techniques have taught me to respect the process, slowdown and to allow time for each layer to settle before moving on. Whether working on silk or paper, I have found that both allow me to express feelings and ideas in a way that is intuitive and free.


Hand silk painting and watercolour, hold a sense of delicacy, grace, teaching me how to communicate emotion through softness, rather than through heavy lines or intense textures.









 
 
 

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